Great album by a brilliant band at the top of their game..great price for this remastered cd..some brilliant guitar work by Andy Summers, this underrated guitarist has a sound all of his own ..sting is great songwriter and with a world class drimmer in stewart copeland they had winning formula. kind of thing.

Popular music has rarely been more intelligent and idiosyncratic whilst remaining so accessible and appealing. You might find yourself listening to it over and over again. I saw the entire industry waiting for an album. Every Move You Make: The Studio Recordings [6 CD] African rhythms surface on a few numbers, but the musicians do not try to act as if they are natives of Africa, or of an American black ghetto for that matter.Instead, they adapt the techniques to fit their own musical style. So... to talk about developments from album to album is a bit disconcerting. In '78, before the instant-ska craze, an English group called Police smoothly combined reggae and pop ('So Lonely', 'Roxanne'), and this early marriage shows no sign of failing. What happened was, our success in England and Europe was meteoric and we had the number one album in almost every country in the world. Stewart is always THERE, coaxing, prodding, solid as a rock, throwing in the odd beautifully constructed 'fill' without batting an eyelid or obstructing the flow of the tune. I heard it once, started to put it back on the shelf and then it hit me: multiversity!

The last night we were in the studio we were putting the tracks in order until four in the morning, and we had to leave at eight the next day to go to Belgium to play a gig. We could keep on talking about this album. We're not saying we're not going to be commercial anymore. Please try againSorry, we failed to record your vote. Many of the songs at issue here, while retaining the vital quality of poise, come off as haunted by bad conscience, steeped in feelings of guilt and strongly redolent of the cumulative loneliness that comes of meeting too many people.Sting is alive to the contradictions that go with being a rich young entertainer who spends too much of his time swanning around a fractured world, absorbing local colour from the back of a limo, and both 'Drive To Tears' and 'When The World Is Running Down, You Make The Best Of What's Still Around' are the work of a man caught between social work and despair.Stewart Copeland, as befits a brash CIA baby, sketches the coming conflagration in cartoon terms, cleverly converting his three chords into an acid portrait of the military mind on 'Bombs Away'.Musically, 'Zenyatta' suggests that, far from wringing reggae dry, they may yet rehabilitate something called jazz into the pop framework; the strength and invention of each musician enables the emphasis to be passed around and, as 'Don't Stand So Close' testifies, it's that air of almost stately cool that sends their singles to the top of the charts. This is achieved through precise and imaginative playing, where each member occupies his own sonic space without intruding on the other's territory, bass and drums creating a relentless dance beat, while Andy Summers' effects laden guitar provides rhythmic colour. It was cutting it very fine." Just what was that bit of jabberwocky in the first cut on side two? Some noises and humour ('Behind My Camel' indeed) from guitarist Andy Summers inject some special moments. -doubtful... Avoid this on vinyl and instead use amazon HD or Ultra HD streaming (Much, much better), or even try the CD... Sure Alan Parsons didn't produce this track? But even the change of musical direction couldn't stunt the creativity and musical excellence that existed within.Reviewed in the United Kingdom on September 14, 2016 Sting's unique vocals even begin to sound like Donald Fagen. 'Canary In A Coalmine' is something of a departure in feel, a buoyant up tempo number with obvious single possibilities, but the last two on the side, Sting's 'Voices Inside My Head' and Copeland's 'Bomb's Away', are far from exciting.Side two opens with Sting lamenting the "escape of eloquence": "All I want to say to you is De Do Do Do, De Da Da Da", and that's all he says, alright.


The industry pressure - you could feel it during conversations with people in the industry.

'Zenyatta Mondatta' has a rather haunted look. We get it both ways. Perhaps the Police should abandon reggae and learn surf music.Anyone expecting another dose of the crisp attack of 'Reggatta' is likely to find this puzzlingly downbeat. 393 720-1; Vinyl LP).

Certainly not their best work.
This was very profound, very strong pressure. This is another good one. he asked. They were a touch wide of the mark - as in from here to the South Pole. Please try againSorry, we failed to record your vote. Only on 'Voices Inside My Head' does the bank let loose - Andy Summers' guitar riff kicking up a ruckus, Sting's bass hitting below the belt and Stewart Copeland's drumming forcing the fervor into a corner. Not that a group in their position might acknowledge a few hack critics, but this band has yet to make the album their lofty sales or even their vast potential might indicate. ""I wrote almost all of these songs in the west of Ireland in 1980. The Police were like a decent, unassuming guest who gets asked to dinner to make up the numbers and after a few Dubonnets shows his true colours, dancing on the table and insulting people (insulting people's intelligence in the case of Zenyatta Mondatta). 'Behind My Camel' is a one idea instrumental that sounds great for half a minute before wearing thin. Our payment security system encrypts your information during transmission. No doubt 'De Do Do Do, De Da Da Da' will repeat the trick in due course.The parallels with The Beatles have never been lost on The Police, on Sting in particular; the trick is to make records that sound as if anything less than the number one spot somehow wouldn't be quite decent.It must be so awful being a pop star with musical credibility.

While I was writing it I was getting messages from the record company saying retailers were waiting for it.


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