The looser the longer decay the snares will have (think jazzy).... Also MAKE sure the drum is in tune!!!! If you use a fast attack on your compressor the snares will get eaten up by the compressor. Try placing a 3/4″-wide piece of duct tape underneath the cymbal. After the snare is hit, the body resonates within a particular frequency range depending on the size of the drum. When looking for a good transient sound you want something that has a nice sharp attack, click or crunch to it.The body of the snare relates to its physical size and impact.

the tighter the snares the "punchier" the the crack will be. Good Luck homie.

As you go around, make small adjustments at each tension rod location until all of them sound the same. Samples are offset so they are not competing  with each other and combine to form the various stages of the snare.Layering can be done in many different ways, but many prefer to put them all in one drum rack for ease of processing and programming. The sound of the kick drum, along with the snare will be the defining factors of your drum sound. Track it. Also add some air to your snare to make it shine by making a boost at 10kHz. Then tighten them until they are as loose as you can stand it. The looser the snares are, the more tom-like the drum will be which will help fatten it up. Drumagog + SSD 3.0 + blend = one great snare sound. The problem here is that the 'bong' on this one is unpleasant). Unevenly mounted wires can choke the sound of the drum and minimize the activation of the snare wires. It has no 'impact crack' and sounds like a discordant fart.

Bodoc. I help musicians and producers make a greater impact with their music by teaching them how to produce and engineer themselves.

After processing the group together an EQ can be used to process and mix the snare within the whole song.Some other devices you could experiment with are: Redux, Frequency Shifter, Erosion and Gate.As a producer your ability to craft a completely original and unique snare sound so don’t just settle for a simple sample! More wires means more sensitivity and different metal compositions can make the sound more snappy and crisp, or softer and more sensitive. I'm not heavily knowledgeable about drum heads so this never occurred to me (I only drum for recording purposes). This transient develops when the drumstick hits the top of the snare drum membrane, which defines a sound and gives our brains a lot of information about what the sound is.The characteristic sharp transient helps us differentiate a snare from other drum sounds.

The best I could hope for is to find one in a pawn shop. totally agree on the The Pork Pie Big Black. Track it. If your drum-kit were a band, the snare drum would be the frontman.It’s the driving force of the drum-kit. I'd try tuning the heads med-tight, then loosen the snares until they are floppy and ridiculous. To make electronic drums sound like real drums, you need to dedicate some time to tweaking, and put yourself inside the head of a drummer.

I have a $300 kit in my shed that I play....the snare sucked ass, had this absolutely crap top head that was made of this awful plastic which was pointless... To help the snare cut through a mix then use an eq to cut other sounds where the snare hits. Muffle with a wallet or two moongels or something. The shells inherent resonance is ugly.

you need to check both batter and resonance head. ALIGN YOUR SNARE WIRES. Also the ring or resonance comes from the bottom head as well as the body of the drum. so tuning it lower than the batter head will give you more resonance while tuning higher than the batter should give you less. Here is what we do know: great versions of both are required to make people really dance. A bad drummer can make pretty much any snare sound bad. Your goal is to make the pitch of each tuning position the same. How tight is the basket holding the drum on the snare stand? This is done to make room for the body which will hold down most of the low-end. The transient stage of the snare is that first initial spike and click sound that we hear. Just my 2... The kick drum needs to be tight and punchy, with enough low end to fill up … Don’t underestimate the lower-mids when you need a tight and punchy snare sound.But without the *whack* the *thump* will just sound Sometimes the snare drum mic isn’t what brings out the character of the snare at all. I have a $300 kit in my shed that I play....the snare sucked ass, had this absolutely crap top head that was made of this awful plastic which was pointless... There are many different ways to design snare drums, and my intention is to show you one way that can then be applied to your own workflow in any software.When looking for samples or synthesizers for sample material, you will want to think about three main components that make up a snare:Rather than looking for one perfect sample, instead layer elements that provide the key elements.The transient stage of the snare is that first initial spike and click sound that we hear. It has no 'impact crack' and sounds like a discordant fart. Transient Designer. 8. Traktor secrets, controller reviews, a massive MIDI mapping library, and more. Good Luck homie. I have a $300 kit in my shed that I play....the snare sucked ass, had this absolutely crap top head that was made of this awful plastic which was pointless... A lot of times you send all the drums to the same reverb to get a similar sound for the whole drum-kit. Right now I just have generic looking standard heads on them (remo is the brand). Try an Evans HD Genera Dry Head.

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